Sally Hook feature works | Frances Keevil Gallery has now closed

FEATURE WORKS

Grand Dame
© Sally Hook 80 x 30 x 16 cm porcelain clay, glaze, acrylics AUD $2,800

Grand Dame
Cameo
© Sally Hook 70 cm tall porcelain clay, glaze, acrylics AUD $2,800

Cameo
Basket Case
© Sally Hook 70 cm tall porcelain clay, glaze, acrylics AUD $2,800

Basket Case
Wendy
© Sally Hook 47 x 38 x 25 cm raku and porcelain clays, glazes, pit fired base AUD $2,800

Wendy
Pristine Christine
© Sally Hook 50 x 40 x 20 cm porcelain clay, stains and oxides, fumed SOLD

Pristine Christine
Head of Another Man
© Sally Hook 90 x 30 x 30 cm handbuilt porcelain and raku clays, fired to low earthenware pit fired SOLD

Head of Another Man
Fabulous Freddy
© Sally Hook porcelain clay, glaze, acrylics SOLD

Fabulous Freddy
Head of a Young Man
© Sally Hook 90 x 30 x 30 cm handbuilt porcelain and raku clays, fired to low earthenware pit fired SOLD

Head of a Young Man
Year of the Rooster
© Sally Hook 61 x 55cm porcelain clay, fired then glazed and refired to 1100 degrees C SOLD

Year of the Rooster
Galah 3
© Sally Hook 50 cm tall Earthenware and Glaze SOLD

Galah 3
Mythic Sexual Power and the Inner Virgin
© Sally Hook 50 x 34 x 18 cm porcelain clay, fired then glazed and refired to 1100 degrees C Finalist Naked and Nude Art Award Manning Regional Gallery AUD $4,400

Mythic Sexual Power and the Inner Virgin
Venus - Vulnerability and Dominance
© Sally Hook 50 x 40 x 28 cm porcelain clay, fired then glazed and refired to 1100 degrees C AUD $4,400

Venus - Vulnerability and Dominance
Venus - Seduction and Treachery
© Sally Hook 57 x 34 x 28 cm porcelain clay, fired then glazed and refired to 1100 degrees C Finalist Naked and Nude Art Award Manning Regional Gallery AUD $4,400

Venus - Seduction and Treachery
Kookaburra 4
© Sally Hook 50 cm tall Earthenware and Glaze SOLD

Kookaburra 4
Kookaburra 3
© Sally Hook 50 cm tall Earthenware and Glaze SOLD

Kookaburra 3

Sally Hook
FEATURE WORKS

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I am fortunate to have found my path in life nearly 40 years ago, when I found clay as a material to describe any physical shape I could imagine.

I was struck by its versatility, its potential for ideas and its complexity when fired and the myriad number of methods that are used to build, impress, shape, coat and colour it.

The work has ranged from figurative subjects, stylized and realistic to abstraction, through to comic forms – human, animal and bird studies and random sculptures because I liked the drawings.

I have had many fine teachers, many opportunities to see historical to current ceramic collections and practices in eight countries and to meet and work with world-leading ceramicists along the way.

As I still feel the potential ahead, there is no reason to stop my practice. I will be working in clay until the moment it becomes impossible for me to continue.

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ARTIST INSIGHT : SALLY HOOK

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